From working through this visual argument exercise,
I have come to a greater appreciation of the difficulty of creating a visual
argument. For example, with my entry, I
was very pleased to see that my classmates had caught the concept that I was
trying to convey. Indeed, they caught
some of subtle features that I had included intentionally as well as a feature
or two that I admitted were present but hadn’t noticed myself. On the other hand, I wondered to what extent I
had cheated by including a headline. Classmates
who offered more purely visual entries probably created a truer test. I will admit that I struggled to grasp the
complete argument in some of these cases.
However, other responders did much better at generating careful analyses
with a high degree of plausibility. I
felt like going back and trying to make my analyses more thorough and
finer-grained. I felt that my comments
may have left the impression that the display was lacking when, in fact, it was
my analysis that was inadequate. Nevertheless,
for me, the experience demonstrated the challenges of creating a purely visual
argument. Before going through this process, I did believe that visual
arguments were possible. I felt that
Birdsell and Groarke’s example of the anti-smoking poster was a good case in
point (311). In fact, the short headline
plus image was a model for my visual argument.
I also felt that Blair offered a good criteria for measuring whether a
visual could be deemed an argument or not.
Yet when I tried to make all the connections between images and their
connotations in the various collages posted by my classmates and tried to grasp
the key proposition of each, I found it much harder than I had imagined. I believe it is possible to use visuals for
argument, but I have come to believe that most effective visual arguments are probably
multimodal, harnessing the visual along with other modes to make the argument
clear.
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